The phrase "let them eat cake" just might take on a new meaning at an annual San Francisco event this weekend.
Here’s a review by a reader who won a pre-release copy: I was really excited to finally read Roosh’s take on day game.
The atmosphere is not a perfume, it has no taste of the distillation, it is odorless, It is for my mouth forever, I am in love with it, I will go to the bank by the wood and become undisguised and naked, I am mad for it to be in contact with me. Stop this day and night with me and you shall possess the origin of all poems, You shall possess the good of the earth and sun, (there are millions of suns left,) You shall no longer take things at second or third hand, nor look through the eyes of the dead, nor feed on the spectres in books, You shall not look through my eyes either, nor take things from me, You shall listen to all sides and filter them from your self.
The smoke of my own breath, Echoes, ripples, buzz'd whispers, love-root, silk-thread, crotch and vine, My respiration and inspiration, the beating of my heart, the passing of blood and air through my lungs, The sniff of green leaves and dry leaves, and of the shore and dark-color'd sea-rocks, and of hay in the barn, The sound of the belch'd words of my voice loos'd to the eddies of the wind, A few light kisses, a few embraces, a reaching around of arms, The play of shine and shade on the trees as the supple boughs wag, The delight alone or in the rush of the streets, or along the fields and hill-sides, The feeling of health, the full-noon trill, the song of me rising from bed and meeting the sun. 3 I have heard what the talkers were talking, the talk of the beginning and the end, But I do not talk of the beginning or the end.
Diva Vladimir Cosma, 1981Cosma's score, for a slick, super-stylish thriller about an opera singer who refuses to be recorded, introduced a new kind of ambient, keyboard-driven cool to soundtracks. Various, Arista, 1979The cream of Britain's original burst of post-punk chart stars - Ian Dury, Elvis Costello, The Only Ones, The Undertones - plus American interlopers (Patti Smith, Richard Hell) get their hits out.
The Payback James Brown, 1974Brown recorded his first great soundtrack for the gangster street saga Black Caesar.
It contains 51 openers, 23 long dialogue examples with commentary, and dozens of additional lines that teach by example. The lessons taught in this 75,000 word, no-fluff textbook will help you meet women during the day.